Dandara Maia

Artists /  Dandara Maia

Dandara Maia

Experiments with Eshu

Collage, oil pastel and colored pencil on paper · 2025

Dandara Maia, Exu, Collage, 2025.

About the Work

“In Yorùbá cosmology, Èṣù is a trickster. A deity who acts as a messenger between humans and the divine, ensuring that offerings and prayers are passed on to the other Orishas, ​​the deities of the Yorùbá. He is the guardian of Àşe, the life force that gives life to all beings. His tricks are revealing; his provocations shake assumptions, unveil hidden truths, and test the integrity of things. The Orisha can be depicted as male, female, or both, in the form of mounds of earth, sculpted faces, and figures adorned with cowrie shells. The curatorial research liberates Èṣù from colonial misinterpretations and understands the hybrid as a plastic, poetic, and mythical force of community and (re)creation.”

In conversations with artists who have a deep connection to Èṣù – Mulambo, Joyce Candeia, André Vargas, Gustavo Nazareno and Hugo Canuto – I have explored the different facets of the trickster figure as starting points for a decolonial reading of art and design that have emerged in Africa and the Black diasporas.”

Artist

Dandara Maia

Title

Experiments with Eshu 5 in conversation with André Vargas

Medium

Collage and oil pastel on paper, 297 × 420 mm

Year

2025

Further work

Pomba Gira and Exu in conversation with Gustavo Nazareno, 2025. Colored pencil on paper, 297 × 210 mm

Portrait of Dandara Maia

Dandara Maia. Photo: © Michel Klehm, 2025

About the artist

Dandara Maia

Dandara Maia is a transdisciplinary researcher and curator working at the intersection of material culture, visual anthropology, and fashion studies. A trained fashion designer, she holds a PhD in anthropology and a Master's degree in fine arts. Her artistic practice and research explore identity, decoloniality, and the tensions between the paradigm of 'modernity' and the postcolonial contexts of West Africa and Brazil.

Through her curatorial work, she aims to question and reshape the discourse surrounding African material culture, thereby contributing to dialogues on decolonization and critical fashion theory. She has curated exhibitions at the Iwalewahaus in Bayreuth, collaborated with the Linden Museum Stuttgart, and is currently working at the Burg Giebichenstein University of Art and Design.

In cooperation with / supported by
Artist Residency Balmoral CastleMainz Academy of ArtRhineland-Palatinate Cultural SummerMinistry for Municipalities, Construction, Housing and Culture Rhineland-PalatinateMinistry of Science and Health Rhineland-PalatinateState Association of the Deaf Rhineland-Palatinate eV
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